Crochet Spotlight: Gone With the Wind, Part 1

Several years ago, I made a collection of Gone With the Wind-inspired gowns for a private collector. Fourteen outfits in total, 12 from the Southern Belle pattern series from Annie’s Attic, which is now out of print, and 2 original one-of-a-kind creations inspired by patterns for larger dolls that I adjusted and customized for the fashion doll.

Today’s post showcases four of the gowns in that collection.

Crocheted Gone With the Wind white ball gown on Barbie Doll

Gone With the Wind-style Picnic Dress

Crochet green and white Gone With the Wind style fashion doll gown

EmbroideredĀ  Lawn Party Gown

Crochet Gone With the Wind-style Dress from Drapes for fashion doll

The “dress from drapes”

Crochet Gone With the Wind-style Red Holiday ball gown for fashion doll

Holiday Ball Gown

It’s hard to pick a favorite if I had to. I LOVE the ruffles on the white dress. It was so fun to make and so pretty when it was finished. I also love the embroidery on the green and white dress.

My favorite part of the dress from drapes are the handmade tassels. One of the things I’ve always enjoyed about the Annie’s Attic patterns is how you make the majority of the dress embellishments yourself. Certainly saves you from hunting all the craft stores (or online) trying to find the right lace or the right trim to complete the look. On an Annie’s Attic dress, if you need lace/cord/trim (sometimes even decorative ribbon), chances are the pattern shows you how to crochet it yourself.

On the holiday gown, my favorite part is the skirt. It’s made from a worsted weight chenille yarn (I used Lion Brand, which I think may be discontinued now in that weight). It’s just so soft and so vibrant. That color definitely says “Happy Holidays!”

NOTE: Although the Southern Belle bed doll series is no longer in print, you can still find some Southern Belle patterns on eBay from time to time, if you are interested in making them yourself.


Crochet Spotlight: Edwardian Fashion Doll Gowns – Part 1

As I’ve mentioned before, I’m a huge fan of the Annie’s Attic collector gown series that were released in the 1990s.

One of my all-time favorite collections was the Turn-of-the-Century gowns, also known as the Edwardian Ladies collection. They came out originally in 1995 and 1996. You can still find copies on eBay. And a few shops on sell out-of-print fashion doll patterns as well.

They had narrower skirts than the previous collections, which featured Victorian ball gowns, 19th century southern belle gowns, and Gibson Girl gowns. So this meant they crocheted up much faster.

The other thing I loved about these patterns was because they all shared the same silhouette, it was easy to mix and match pieces from different patterns to create your own dress.

I made up a colorful collection of Edwardian Visiting Dresses doing just that as you can see here in these pictures. The yellow dress on the right is one from an Annie’s collection pattern (Miss January, 1996). The others are gowns I made inspired by the different patterns in the Annie’s collection. They have similar sleeve styles to the yellow dress, but the bodice uses lace (like Miss August, 1996 shown here on instead of a ruffle, and waistline is closer to Miss December, 1996 shown here on

Edwardian gown in peach, crocheted by Catherine Chant Edwardian Gowns in Red and Pink, crocheted by Catherine Chant Edwardian gown in yellow, crochet by Catherine Chant

In a future post, I’ll spotlight a few more gowns for the 1995 and 1996 collection.

Happy crocheting!


Crochet Spotlight: The Anne Boleyn Costume

Crochet Anne Boleyn Doll Costume by Catheirne Chant The Anne Boleyn costume from Annie’s Attic Royal Court collection (circa 1998) was one of my favorites to crochet.

It is also the costume that got me hooked on beading, because as you can see in the picture the headpiece and the bodice are embellished with ruby red beads, and Anne is wearing a beaded necklace with a “B” charm.

The gown itself was very easy to construct. As I mentioned in an earlier post, Annie’s Attic historical costume patterns focus mainly on traditional thread crochet techniques (whereas the Paradise Publications patterns tend to employ many different materials).

As a result, if you can crochet the basic set of stitches, you can make this costume. Each piece uses predominantly single crochet (sc) and double crochet (dc) stitches. The one stitch used in the pattern that may be new to you is the reverse single crochet (for the collar edging), but you’ll find many tutorials online about this stitch, and with a little practice you can master it. Reverse sc is great for trim!

The other nice thing about the patterns in this series (and many of Annie’s other series) is that they include instructions for crocheting a “pillow form” to hold the doll upright as well as help the skirt keep its shape (so tulle or other stiff materials for underskirts are not necessary).

With the pillow form, you don’t need to place the doll in a metal stand to display this dress. The dress and display are created together from the same pattern and the stand is completely hidden by the costume. Very clever of Annie!

The patterns in the Royal Court series are out of print now, I believe, but you can usually find some on eBay for a reasonable price.

Anne Boleyn crochet doll costume, crocheted by Catherine Chant

Anne Boleyn Costume crochet by Catherine Chant, side view

1908 Edwardian Bridal Gown

Barbie doll in a 1908 Edwardian Wedding Dress crochted by Catherine Chant

1908 Edwardian Wedding Gown
crocheted by Catherine Chant

This gown was the first one I ever made from the Paradise Publications series of patterns.

Prior to this I had only made Annie’s Attic bed doll historical gown patterns, which focus primarily on crochet techniques.

The Paradise patterns include a lot of trim detail with beads or other materials, things I didn’t have a lot of experience with at the time (I hadn’t yet delved into jewelry-making). So, although I’d always been struck by the beauty of the finished outfits, I’ll admit the construction intimidated me at first.

But they were always so stunning to look at, I knew I had to try at least one of them.

I chose this Edwardian gown first because it looked like it used mostly standard crochet (the gown was not beaded), and it had a slim silhouette I knew would stitch up quickly.

I had some experience working with doll-scale flowers and ribbon, so I knew I could handle the bouquet. The necklace looked pretty simple, as well, just a string of seed beads, plus I was good at doing hair from making so many of the Annie’s dresses.

The headpiece I thought might be tricky, though. I wasn’t used to working with fabric lace. (In Annie’s patterns, if there’s something lacy on an outfit, you crochet it. šŸ™‚ ).

But I vowed to be brave and try something new.

I’m so glad I did, because I think she came out beautifully!


She does have one flaw, though. Can you tell what it is? May not be obvious, but of course I see it all the time because I know it’s there. it’s the main reason I didn’t feel I could sell this doll to a collector, so she’s currently on display in my dining room hutch.

The flaw isn’t in the dress, it’s the doll. After all that time spent on getting the hair just perfect and creating a stunning headpiece (that wasn’t as difficult as I feared it would be), it turned out her neck wasn’t strong enough to support the weight of the adornments.

On a newer doll, this probably wouldn’t be a problem, but this was a “rescued” doll found on the secondhand market that I had restored to her former beauty. I didn’t know her neck joint was iffy until I had everything fastened in place and went to put her on a doll stand.

The hairdo alone took such a long time to perfect, I didn’t want to start over with another doll, so I decided to keep her as she is. And I do love her.

I’ve come to accept her “pose” as is, and think of it as perhaps a gaze toward Heaven, maybe for a quick prayer on her wedding day before she enters the church.

As Tim Gunn says, we “make it work.” šŸ˜€

Barbie in Edwardian gown crocheted by Catherine Chant

Barbie in Edwardian wedding gown crocheted by Catherine Chant

Turn of the Century Victorian Ball Gown

Gold sequined crochet Barbie Doll dress

1900 Century Celebration Costume
Crocheted by Catherine Chant
(click to enlarge)

We’ve just started a new year and I can’t think of a better crochet project to highlight on such an occasion than this gold sequined turn of the century ball gown.

Can’t you just see the wife of a wealthy railroad magnate in the gilded age wearing this stunning ensemble to a New Year’s Eve party? She’d be the belle of the ball!

Crocheted with gold beads, sequins and metallic gold crochet thread, this gown will make your fashion doll shine! The costume is based on a Paradise Publications pattern (No. 66, P-077, Ā©2000, 1900 Century Celebration Costume) and took me several months to complete.

The gown itself actually wasn’t too complicated, but the intricate details, such as the lace insert on the bodice, the hair adornments (and the hair style!), as well as the purse, stole and underskirt, took some time to finish due to the small scale.

Crocheting with beads or sequins is relatively easy. The most time-consuming part is stringing the sequins or beads on the thread. I highly recommend a large-eye beading needle for this endeavor. It will make your life so much easier!

The video linked above shows a clever way to string beads on thread or yarn with a regular needle and a knotted piece of sewing thread, so you could try that as well.

Once you have the baubles on the thread, you simply crochet like usual, holding the bead or sequin against the hook as you complete the stitch. This holds it in place in the fabric as you create the gown.

One thing to note about beading with crochet is that the beads always fall to the back of your work, so it works best when creating items in the round (such as the skirt on this gown).